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Outkast was among the many most enjoyable rap duos of the late Nineteen Nineties and early 2000s. Comprised of André 3000 and Big Boi, the Atlanta collective launched an unfathomable quantity of chart-topping materials. From Aquemini and Stankonia to Speakerboxxx/The Love Beneath, Outkast have been unstoppable.
Big Boi has reached the highest of the charts as a part of the dynamic duo and has had great success. Nevertheless, as a collective, Outkast’s final full-length venture was the 2006 album Idlewild.
Big Boi was rapping earlier than he met his associate in crime, André 3000. Nevertheless, the duo got here collectively as youngsters in East Atlanta following a rap battle on the Lenox Sq. Mall, a preferred hotspot on town’s East aspect. Following this, the 2 recognised their abilities and swiftly grew to become a dynamic duo.
Outkast started to make waves within the Nineteen Nineties. Nevertheless, earlier than the collective burst onto the scene, they have been impressed by different artists. As such, it’s unsurprising that Big Boi (actual identify Antwan Patton) named a 1980s icon during an interview with Complex about a few of his musical influences.
Whereas talking about a number of the artists he loved listening to earlier than fame, Patton named a vocalist who shocked even the interviewer when he revealed that he cherished Kate Bush’s 1982 venture The Dreaming.
Talking concerning the album, the emcee said, “This is one of the first [Kate Bush albums] I was introduced to when I was in the sixth grade. It’s kind of a dark album. My favourite song on that album was ‘Pull Out the Pin.’ Man, her vocal range is incredible. And the music. Once again, me being a producer, I listen to all aspects of the music, and take the product as a whole. It was just a well-put-together record. She killed it.”
He added, “This is a good place to start [if you’re not familiar with Kate Bush’s catalogue]. This, Hounds of Love, Lionheart. Her first four or five albums are crazy. The new stuff, like Aerial, is still her, but it’s more polished. This is like, dirty.”
Nevertheless, after turning his consideration to hip-hop and his Atlanta upbringing, Big Boi revealed that within the Eighties, he was closely influenced by New York rap music, significantly Slick Rick.
Opening up about his emotions in the direction of the creator of the historic 1988 album, The Nice Adventures of Slick Rick, Patton recalled, “He was one of my favourite MCs coming up. I had that tape as well. I might’ve been in the 5th or 6th grade or something like that, and he was just the coolest rapper on the planet. Him and Big Daddy Kane were just the coolest guys ever.”
He concluded by lauding Slick Rick (actual identify Richard Walters), ending, “He spit game. He was one of the greatest storytellers of all time, when it comes to hip-hop music. And that was just a great record. You could visualise the words and things he was saying. He was so cool. I’m all about the cool shit.”