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New York emcee Roc Marciano is an usually ignored determine in hip-hop. The previous Flipmode member has been on the scene for the reason that flip of the millennium, and after leaving Busta Rhymes’ collective in 2001, the lyricist shaped his personal underground rap group, the U.N.
Alongside Dino Courageous, Laku and the late Mic Uncooked, they launched their 2004 album, UN Or U Out, by way of 456 Leisure. As a thoroughbred New Yorker, the town’s legends have at all times collaborated with him.
Marciano (actual title Rahkeim Meyer) was featured on Wu-Tang Clan’s 2005 Wu-Tang Meets The Indie Tradition and in addition appeared on Pete Rock’s NY’s Finest, which was highly acclaimed by critics for its East Coast authenticity and uncooked lyricism.
At some point of the 2000s, Meyers discovered himself making visitor appearances on information by MCs resembling GZA, Royal Fam, and Pumpkinhead. Nevertheless, by the start of the 2010s, he had begun releasing solo materials. From 2013’s Marci Beaucoup to his 2022 undertaking, The Elephant Man’s Bones with The Alchemist, Meyers is an intriguing artist.
That mentioned, following the discharge of his second studio album, Reloaded, in 2012, the New York lyricist had an in-depth interview with Complicated journal the place he spoke about his early influences and a few of his favorite albums ever.
From hip-hop to funk, soul and even pop, Meyers revealed to Complicated that, rising up, he cherished Michael Jackson, significantly his 1979 undertaking Off The Wall.
Opening up about his love of Off The Wall, Roc Marciano unveiled, “I love this album. It reminds me of all my childhood memories. I’m trapped in the 80’s when I hear that. When I was shopping for records when I was recording Marcberg, I saw Off The Wall in the store, a clean copy on vinyl. And I knew I wasn’t gonna use it for my album, but you can’t resist buying it”.
He continued, “Even today if I see it in a record store and it’s a clean copy, I just buy it. Like, ‘I can’t believe this is available, still.’ To me, that’s just Mike at his best. The whole album is fire.”
Nevertheless, as a hip-hop artist, he naturally cherished hip-hop rising up, and one collective specifically. Opening up about Public Enemy and their 1988 album It Takes a Nation of Tens of millions to Maintain Us Again, Marciano started, “That’s another thing where it’s like, ‘That’s me. That’s where I’m from.’ You can’t even describe what Public Enemy was doing with their beats, to Chuck’s rhyming. Flav coming in. I’m from the part of Long Island where dudes like Flava Flav are perfectly normal. [Laughs.] Public Enemy took the game over. S1Ws, Professor Griff. That military shit.”
He concluded, “There’s a 98 Posse flick that they took in front of an old school Hempstead building in this old parking lot off Main Street. They’re sitting on the cover, with the leather bubble gooses, with the guns in their hand. That just embodies my neighbourhood and where we’re from. I remember that time vividly”.
You possibly can hear It Takes a Nation of Tens of millions to Maintain Us Again beneath.